![]() If an actor is sick or injured, you have a built-in understudy. You could even go further with your students and block or choreograph scenes or numbers differently, depending on which student is playing the role! This way might be more challenging for all your actors, but it’s also a lot of fun. It also gives audiences a reason to come back and see the show again, so they can see both students play the role.ĭouble-casting gives directors the opportunity to approach the show and role(s) in different ways.Įvery actor approaches a character differently, and double-casting gives students the opportunity to explore that. It essentially gives you two actors for the price of one! Rather than competing for a single leading role, having two students share the role gives them both the chance to be a lead while taking off the pressure of having to carry the show themselves. This is the biggest advantage of double-casting: it’s a great way to give more students opportunities in a show. PROSĭouble-casting gives more opportunities to more students. Let’s look at some pros and cons of double-casting, which might help you when you’re casting your next production. They share the responsibility that the role entails, while bringing their own subtle nuances to the performance.ĭouble-casting a role can mean more work for the director, but it also has many benefits. In a double-cast role, both actors are equally suited to playing the role. An understudy only performs when the actor in the role is away or ill. It is different than casting an understudy. In theatrical terms, double-casting is when two actors are both cast in the same role, and take turns playing the role during alternating performances.
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